Guests: Lindsay Buchman and Heather Raquel Phillips
Host: Christopher Kardambikis
Recorded on March 20, 2026
This is the second of three episodes focusing on the recent publication: Even the Score, guest edited by Lindsay Buchman and published by Homie House Press.
Lindsay Buchman is an interdisciplinary artist, writer, and publisher based in New York (NY) and Philadelphia (PA), whose work explores image-making and writing through print and lens-based media, artist books, and installation. Recent exhibitions include the Penumbra Foundation (NY), Center for Photography at Woodstock (NY), and the Wignall Museum of Contemporary Art (CA). Her work is in the collections of the Metropolitan Museum of Art, the New York Public Library, and SFMOMA. She is a recipient of the Toby Devan Lewis Fellowship and the Flaherty Fellowship, and her work has appeared in Hyperallergic, Lenscratch, and The Hopper Prize Journal. Buchman has been an artist-in-residence at Light Work, Virginia Center for the Creative Arts, the Lower East Side Printshop, and Kala Art Institute. She holds an MFA from the University of Pennsylvania and a BFA from California State University, Long Beach.
lindsaybuchman.com
Heather Raquel Phillips (she/they) is an interdisciplinary artist & independent curator based in Philadelphia, Pa. Working across photography, moving image, text-based textiles, and installation, Phillips critically investigates systems of power as they relate to personal autonomy, sexuality, deviance, and transgression.
Phillips is the recipient of the Toby Devon Lewis Fellowship 2016, the Leeway Foundation Art & Change Grant 2017 and the Leeway Foundation Transformation Award 2020. She was the 2019 Visiting Scholar at the Leather Archives & Museum (LA&M) in Chicago, where she was voted onto the Board of Directors in 2020. She has since helped craft the LA&M Artist In Residence program and curated the exhibition, Sparks in a Dark Room by Gabriel Martinez. Phillips participated in the post-grad apprenticeship at The Fabric Workshop and Museum in 2022 and as a CFEVA Finalist in 2025.
Phillips' work, The Path to Candyland, is currently exhibited at Taller Puertorriqueno, Philadelphia, as well as Threaded Currents at Pennsylvania Academy of Fine Art.Her work has been featured in Hyperallergic, Artforum.com, and Sixty (Inches From Center), Philadelphia Gay News and Artblog. She has exhibited nationally and internationally, including in Los Angeles, New York City, New Orleans, Chicago, Philadelphia, and the United Kingdom.
Episode artwork by Homie House Press
“Paper Cuts Theme” by The Early
@theearly_band // http://theearly.net